How to Write Melodies (main types + 11 tips)

A cutout of a female singer with big text reading "melodies like whoa".

I love writing melodies. Hooks, catchy riffs, ear worms — this is the stuff I live for. And over the years, I’ve picked up a few patterns and tips worth sharing. This is my guide on how to write melodies.

Because a solid melody grounds your song and makes it a memorable project that people will want to share, save and belt loudly in their car. It’s my favorite part of the songwriting process.

And these are my favorite moves — now let’s do this!

What Is A Melody?

A melody is the shape of your notes. It’s a collection of individual notes strung together that make up the vocal, usually lyrical, parts of a song.

A song’s vocals are usually made up of verse melodies, a chorus melody (or your hook) and sometimes a bridge melody.

So let’s look at some of the different types of melodies.

Styles + Types of Melodies

Musicians want to be the loud voice for so many quiet hearts.
— Billy Joel

It seems like every other article has a different list of melody types and names. My apologies for the confusion!

I like Splice’s video on melody types, but here’s my take on things.

Topline Melodies

Topline melodies are your main, leading melody that sits front and center in your verses and hook.

It’s what your listeners will remember and sing to.

Harmonies

Harmonies are extra vocal layers that are separate from, but compliment, your topline melody and/or the instrumental sections of your song.

You can use simple harmonies to make your lead vocal sound bigger, quick harmonies to add dynamics or multiple layers to create gang vocals for an even bigger splash. The options are endless.

Riffs + Runs

Riffs and runs are a series of quick-hitting notes sung for a single word or a vowel sound.

They’re a more advanced singing technique, but they add a lot of personality and flavor to your lead vocals.

Directional Melodies

Directional melodies are made up of notes that are either ascending or descending.

For example, if you start on C3 and end at G3, that would be an ascending melody. But if you start on G3 and end on C3, that would be a descending melody.

Multi-Directional

Multi-directional melodies hop around, both ascending and descending throughout a scale to complete a vocal line.

They’re the opposite of directional melodies, which go in one direction (more or less).

Monotone Melodies

Monotone melodies are flat melodies and typically have just one (or two) notes.

These are common in rap songs, but I also like to use them in verses or for lead ups to some bigger moment.

Legato Melodies

Legato melodies are sustained notes that connect with smooth transitions.

These notes blend together nicely and add emphasis, drama and emotion to your song.

Staccato Melodies

Staccato melodies are the opposite of legato. These notes are not sustained and have sudden stops.

It’s similar to an arpeggiated effect. They add a lot of attitude, rhythm and personality to your song.

Jumping Melodies

Jumping melodies are lines that have big note gaps in them.

For example, jumping from a C3 to a E4 and then descending down (or around) would be a jumping melody (says me).

“Casual” Melodies

“Casual” melodies (as I’ve dubbed them) are lines that are either lazily sung, have some essence of speaking to them or are sung slightly “off” or “improperly” (on purpose).

They’re usually sung with artistic intention and add personality to your song. One song that comes to mind is Missed the Boat by Modest Mouse (the verses).

Call + Response

Call and response melodies are common in duets or for creating echo effects. They often have a “conversational” effect.

I also put melodies that use silence or long pauses between lines in this basket.

How to Write Epic Melodies (11 techniques)

Big text reading "write epic melodies" in different fonts and a dripping music note in the corner.

1. Looping Gibberish

Looping gibberish is when you loop a section of your song on repeat and ramble or hum random melodies over it, until you find an idea that hits.

It’s my favorite way to write melodies since it’s more intuitive, free-flowing and fun (IMO).

This method totally captures the essence and vibe of songwriting. And it sort of makes me feel like an explorer discovering artifacts (i.e., melodies), which is cool.

2. Use Repetition

Repetition is when you repeat the same phrase and notes in your song two or more times, back to back.

It’s great to highlight important parts of your song while making your melodies more catchy and memorable.

After all, repetition makes it easy for people to remember and sing along to.

If you look closer, you’ll probably notice a lot of pop songs will use this technique.

You can also use vocal throws and delays to add repetition to your melodies (even though these are technically music production techniques).

3. Use Motion With Intention

Motion is like notes dancing together...

Motion is how your melody moves from one pitch to another (or how two or more melodies interact with each other). Two main type of motion are stepwise and skiwise motion.

Stepwise motion is when the distance between any two consecutive notes is no more than a half step or a whole step.

For example, moving from A → B or from C → C♭ would be stepwise motion. There are no gaps larger than that semitone or tone.

Skipwise motion are when the jump is between two notes that are not directly next to each other. Moving from A → C or from D → A would both be skipwise motion.

Understanding motion can help guide your melody writing intention and goals.

For example, do you want your song to use steps or leaps in the melody? You may want to use stepwise motion to make your song easier for people to sing along to, while skipwise motion can make certain parts of your song stand out more.

And when it comes to vocal layering and harmonies, you can have your melodies follow the same paralleled motion, a similar motion or a totally contrasting motion.

All of this motion stuff adds intention and purpose to what you’re doing. You can learn more about motion here and here.

4. Start With the Lyrics

I don’t usually start with lyrics, but whenever I do, I’m always pleasantly surprised.

This strategy is especially good if lyric writing is your strength. Starting with confidence is always a good thing.

Also, lyrics add a lot of story and emotional direction to your song. These things can definitely guide your melody writing.

So if you’ve never tried this approach, take out your notepad and start with some words. See where that takes you.

Explore more:
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5. Start Voice-Memoing All Your Random Ideas

Getting into the habit of capturing all of your random ideas will make you better at writing melodies.

I keep all of my melody ideas as loose notes in three main places:

  • My Voice Memos app

  • My Google Drive (from my old phone’s voice app)

  • BandLab

I have thousands of random phone recordings of potential melodies and song ideas. These are awesome for inspiration, so whenever I’m feeling stuck, I can sift through old notes and recordings for a creative spark.

It’s a smart musician habit and a great strategy since you’ll have a personal library of melody ideas, which you can pull from at any time.


Explore more:
How to Make Music Without Instruments

6. Write From Your Flow State

Sometimes, I feel like songwriting (and art) is more like channeling.

I don’t know where the ideas are coming from, but they just pour out and I look back and wonder how I came up with them. This is what flow is.

Creative flow is when you’re so immersed in the task at hand, you lose track of time and logic or reason fall away. I always try to optimize my workspaces and time for it.

So here are some tips for writing music in flow:

  • Get rid of distractions

  • Listen to your gut and follow your intuition

  • Try the Flowmodoro technique

  • Identify bottlenecks to your flow (and solve or avoid them)

Explore more:
How to Find Your Creative Flow

7. Study Your Favorite Artists + Songs

You learn a lot from your favorite artists. Study them, they have secrets.

This tip is about becoming a more active listener.

When you listen to music more actively, you become more analytical. You start to pay closer attention to the notes and how they line up with the rest of the song.

You may ask deeper questions too, like “why did the artist choose this direction or sing a certain line in a certain way?

These interpretations offer clues and guidance for how you can write melodies.

You can find inspiration for ideas and insights about the songwriting process and what sounds good.

Active listening is an awesome way to level up your writing.

8. Use AI

We have the technology. Why not use it?

(and psst, don’t worry, it’s not cheating!)

AI is simply a new tool that unlocks more creativity and workflow efficiency.

As an independent artist, you’re already doing everything (from writing and production to marketing and distribution). So finding ways to optimize your creativity and songwriting is just a smart move.

AI has a ton of exciting tools for songwriters – too many to name in one post (and things seem to change every week).

So my best advice is to start down a rabbit hole or two and test out some of the different options available.

Here are a few AI songwriting tools on my radar:

Explore more:
Does Technology Limit Creativity?

9. Sing Without Any Instruments

Singing without your instrument or any background chords is liberating. It gives your creativity more room to run and explore.

This one is similar to tip number four (on starting with lyrics). But here, you may not have any lyrics at all (or maybe just a phrase or two).

You’re less concerned with lining things up to a chord structure or sitting perfectly in the pocket. Your focus is on finding a melody. You can clean up the timing and all that later.

I like to also use visualization for this strategy. So you can imagine instruments and how the song will sound once it’s fully built out as a mental guide.

Otherwise, just play around humming and stumbling around until you find an idea that resonates.

Record it, and keep humming it over and over. Often, it’ll evolve and develop naturally the more times you hum it.

10. Keep Your Melodies Simple

Have a chorus that’s just two lines repeated and a total of three notes? Epic. Because that could be a serious banger.

Complexity doesn't mean better. Sometimes (often), the simplest melodies are the most memorable.

So if you’re feeling overwhelmed, step back and be a minimalist. Less is more.

You don’t need complex runs, epic jumps or groundbreaking note combos. Focus more on the emotion, rhythm, story and nuance of the melody and where it sits in your mix.

Stress less and have more fun by keeping things simple.

Besides, complexity is just made up of simpler parts layered on top of each other anyways.

Explore more:
Songwriting Tips for Beginners

11. Use Dissonance + Contrast

Dissonance is my favorite songwriting tool. It creates tension and contrast, before creating a welcomed release for the reader.

For example, playing with minor scales and harsh notes or nonuniform melodies makes a simple, organized major chord release sound epic.

Contrast creates context and balance. So play with weird noises, notes and melodies that don’t sound ‘pretty’.

Then throw on a simple release (in major scales, for example). It’s such a hack.

Later ✌️

There are many terms and strategies for writing a solid melody or a great hook.

When you’re using repetition or motion or my personal favorite, looping and singing gibberish, writing melodies requires practice.

It’s a creative skill you’ll hone over time the more you work on it (like anything).

So the most important thing is to lean into your authenticity, never compare yourself to others and have fun.


quin

hey :]

I’m a musician and traveler who likes to blog. This website is my hub for music and related content. But I also have another blog (see here) where I talk about travel, creativity, the carefree lifestyle. But however you found me, stoked to meet you!

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